For the Rewind shows, Escondido, California-based Sound Image is bringing out a stadium-shaking system that includes 60 JBL VTX V25 line array loudspeakers and 32 S28 subwoofers as the main system, complemented by six JBL VERTEC® VT4889 fullsize line array loudspeakers and two VERTEC VT4880 arrayable subwoofers used as sidefills. The loudspeakers are driven by no fewer than 72 of Crown’s flagship I-Tech 12000HD amplifiers.
Thirty VTX V25 loudspeakers and 16 S28 subs are flown on either side of the stage with three VT4889 loudspeakers flown on either side and aimed towards the stage as monitors, and two VT4880 subs are placed on the ground of the stage floor, aimed towards the performers.
“Everybody likes the new rigging system used on the VTX arrays,” said Sound Image Systems Tech Jeremy Overall. “Everything goes together pretty easily, which is a huge advantage when you have to set up literally 100 loudspeakers night after night.” VTX’s patented S.A.F.E. suspension system is streamlined for speed and efficiency with improved, integrated hardware for faster setup and greater security. Overall and his crew are also using the new JBL VTX Vertical Transporters, rolling frames that facilitate the transport of VTX line arrays for tour sound applications. “It actually makes moving all these arrays pretty easy.”
Sound Image was one of the first tour sound providers to add the JBL VTX Series to its inventory. “We got the second VTX rig and have been carrying it for about a year and a half,” Overall said. “It’s a significant improvement from anything else we’ve used with a lot more bottom end and good punch. The new D2 dual compression driver and waveguide really smooth out the high end – there’s no harshness to be heard.” Overall points out that with VTX in place, the system requires “just a little EQ but not nearly to the extremes we’d gotten accustomed to in order to make a system sound balanced.”
The Rascal Flatts rig is set up and tuned using JBL HiQnet Performance Manager™ software. “It’s so user-friendly – everything we need is right there. For example when we need to associate speakers to their amplifiers everything is built-in on a single tab. When we need to configure delay and processing, we just tell the program what speakers we’re setting up and all the control panels come right up.” Overall is also a big fan of the I-Tech HD Series amps, noting that Sound Image has had dozens of the amps working reliably on the road for two years. “I’m not the first person to say this but the amps work really well with the VTX arrays,” thanks to their built-in presets that enable the VTX models to be perfectly optimized for frequency response, crossover points and slopes and other sonic attributes.
“With a production like this you need to pull out all the stops in every respect including the live sound,” said Overall. “The JBL VTX and Crown system is more than a match for what’s happening on stage. The sound is incredibly detailed, punchy and ‘fast’-sounding from the deep low end to the smooth highs. I’m very happy.”
HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.
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